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½Ç³» À½Çâ Room Acoustics

 

Äܼ­Æ®È¦, ¿ÀÆä¶óÇϿ콺, ´Ù¸ñÀû °ø¿¬Àå°ú °°Àº °ø¿¬Àü¹®½Ã¼³¿¡¼­ºÎÅÍ Çб³°­´ç, ȸÀǽÇ, ±³È¸, üÀ°°ü, ½ºÆ©µð¿À µîÀÇ ½Ç³»À½Çâ ¼³°è´Â ¿ì¸®ÀÇ ÇÙ½ÉÀûÀÎ ¾÷¹«ÀÔ´Ï´Ù. ½Ç³»À½Çâ ¾÷¹«ÀÇ Æ¯Â¡Àº ´ÙÀ½°ú °°½À´Ï´Ù.

°ÇÃ๰ÀÇ ºÎÁö, °ø°£º°, °ø°£ÀÇ ¼ÒÀ½Áøµ¿ ¹æÁö¿¡¼­ ½Ç³»À½Çâ, Àü±âÀ½Çâ¿¡ À̸£±â±îÁö ¡°¼Ò¸®¡±Àü¹Ý¿¡ °ÉÃÄ °ü·ÃµÈ ºÐ¾ß¸¦ ´ë»óÀ¸·Î À½Çâ¼³°è¸¦ ¼öÇàÇÕ´Ï´Ù.

°ÇÃ๰ÀÇ ±âȹ¿¡¼­ºÎÅÍ ±âº»¼³°è, ½Ç½Ã¼³°è¿¡ À̸£±â±îÁö °¢ ´Ü°èº° »ç¿ë¿ëµµ ¹× »ç¿ë¹üÀ§¿¡ µû¸¥ À½Çâ¸ñÇ¥, ½ÇÀÇ ÇüÅ ¹× ±¸Á¶, ¸¶°¨±¸Á¶ ¹× ¸¶°¨ÀçÀÇ À½ÇâƯ¼º ¿¡ µû¸¥ À½ÇâÄÁ¼³Æà ¹× À½Çâ¼³°è¸¦ ¼öÇàÇÕ´Ï´Ù. ¶ÇÇÑ °ø»ç ¹× ¿Ï°ø´Ü°è¿¡¼­´Â °ø»ç, Ç°Áú, ¿ø°¡ °ü¸®¸¦ Æ÷ÇÔÇÑ °ø»ç°Ë¼ö, À½Ç⼺´É Æò°¡±îÁö »ç¾÷ Àü °úÁ¤¿¡ °ÉÃÄ ÅëÇÕÀûÀÎ À½ÇâÄÁ¼³ÆÃÀ» ¼öÇàÇÕ´Ï´Ù.

 

ÀÌ·± ¹®Á¦¸¦ ÇØ°áÇÒ ¼ö ÀÖ½À´Ï´Ù.

  • À½¾Ç°ø¿¬Àå¿¡¼­ ¿¬ÁÖÀ½ÀÇ ¹ë·±½º(acoustical frequency balance)

  • Á¼®¿¡ µû¸¥ ¿¬ÁÖÀ½ÀÇ ÆíÂ÷

  • °ø¿¬¿¡ ¹æÇØ°¡ µÇ´Â ¼ÒÀ½(°øÁ¶, ¿ÜºÎ¼ÒÀ½ µî)

  • °­´ç, üÀ°°ü, ±³È¸¿¡¼­ ¿ï¸² ¶§¹®¿¡ Àß ¾Èµé¸®´Â À½¼º

  • ¿¡ÄÚÇϿ︵°ú °°Àº ¼Ò¸®¹®Á¦

  • À½ÇâÀåºñ¸¦ ±³Ã¼Çصµ ÇØ°áµÇÁö ¾Ê´Â ¼Ò¸®¹®Á¦

 

°ÇÃà°ø°£¿¡¼­ÀÇ ¼Ò¸®´Â ½Ç³»°ø°£ÀÇ ±Ô¸ð, ÇüÅÂ, ¸¶°¨±¸Á¶ ¹× ¸¶°¨ÀçÀÇ À½ÇâƯ¼º, ½Ç³»¿Ü ¼ÒÀ½Æ¯¼º µî º¹ÀâÇÏ°í ´Ù¾çÇÑ ¿äÀÎ µîÀÇ ¿µÇâÀ» ¹Þ±â ¶§¹®¿¡ ±âȹ´Ü°èºÎÅÍ ¼³°è¿¡ À̸£±â±îÁö À½ÇâÀü¹®°¡ÀÇ Âü¿©´Â »ç¾÷ÀÇ ¼º°ø°ú ÇÔ²² ÃÖ°íÀÇ À½ÇâÇ°ÁúÀ» º¸ÀåÇÕ´Ï´Ù.

 

À½ÇâÄÁ¼³Æñ׷ì¶ó¶ó(ÁÖ)´Â ¿¹¼úÀÇÀü´ç À½¾Ç´ç, °í¾ç¾Æ¶÷´©¸®, »ó¸í¾ÆÆ®¼¾ÅÍ µî Àü¹®°ø¿¬½Ã¼³À» ºñ·Ô KINTEX, ±¤¸í°æ·û°æ±âÀå, ¼øº¹À½±³È¸ µî 20³â°£ ¼ö¸¹Àº ¼º°øÀûÀÎ ÇÁ·ÎÁ§Æ® ¼öÇà°æÇè°ú À½Çâ°øÇйڻçÀÇ Àü¹®¼ºÀ» ÅëÇØ ÃÖ»óÀÇ ¸ÂÃã¼­ºñ½º¸¦ Á¦°øÇÕ´Ï´Ù.

 

¾÷¹«³»¿ë

 

1. ÇÁ·Î±×·¡¹Ö ´Ü°è(Programming)

1. °ÇÃàÁÖ, °ÇÃà°¡¿Í ÇÔ²² ÇÁ·ÎÁ§Æ® ¸ñÇ¥¸¦ ¸¸µé¾î°©´Ï´Ù.

ÀÎÅͺ並 ÅëÇÑ »ç¿ë¿ëµµ ¹üÀ§ ¼³Á¤(Use and scope setting by interview)

2. ÇÁ·ÎÁ§Æ®ÀÇ ¸ñÇ¥ ¹× À½Çâ¸ñÇ¥ÀÇ °øÀ¯ ¹× Á¤·®È­(Sharing and quantifying project goals and acoustic performance goals)

3. °ü·ÃºÐ¾ß¿ÍÀÇ ÇùÀǸ¦ ÅëÇÑ ¸ñÇ¥°øÀ¯ (Share goals through consultation with related parts)

4. ºÎÁöÀÇ ¼ÒÀ½, Áøµ¿ ÇöȲ °ËÅä (Review of site noise and vibration status)

»ç¾÷¿¹»êÀÇ °ËÅä ¹× ÇùÀÇ (Review and discuss business budgets)

 

2. À½Çâ ¼³°è ´Ü°è (Schematic Design and Design Development)

1. À½Çâ ¸ñÇ¥ ¼³Á¤ ¹× °øÀ¯ (Set and share acoustic performance goals)

2. ½ÇÀÇ °ÇÃàÀû ±¸Á¶ ¹× ÇüÅÂ, ¿ëÀû °ËÅä (Room shape study with computer simulations)

3. ½Ç³» ¸¶°¨±¸Á¶, °´¼®ÀÇ À½ÇâƯ¼º °ËÅä (Acoustical check of building materials and structures)

4. À½ÇâÀû ¸ñÇ¥¿Í À½Çâ¼³°è°ËÅä (Calculation of acoustical parameters)

5. À½Çâ½Ã¹Ä·¹À̼Ç, °¡Ã»È­, ½ºÄÉÀϸðµ¨À» È°¿ëÇÑ À½Ç⿹Ãø ¹× °ËÅä (Experiments using a scale model)

6. °ü·ÃºÐ¾ß¿ÍÀÇ ÇùÀÇ ¹× Á¶Á¤ (coordination with related parts)

 

3. ½Ã°ø´Ü°è (Construction)

1. ¸¶°¨±¸Á¶ÀÇ ½Ã°øµðµ¥ÀÏ °ËÅä ¹× °Ë¼ö (Finalize construction documents)

2. ½Ã°øÇöÀå¿¡¼­ÀÇ ½Ã°øµðÅ×ÀÏ °ËÅä (On-site inspection)

3. ÁÖ¿ä ÀÚÀçÀÇ À½Ç⼺´É °Ë¼ö (Acoustic performance inspection of main material)

4. ½Ã°ø´Ü°èº° À½ÇâÃøÁ¤À» ÅëÇÑ À½Çâ°ËÅä (Reviewing Acoustics in Construction Phase)

5. À½ÇâÃøÁ¤À» ÅëÇÑ µðÅ×ÀÏ ¼öÁ¤º¸¿Ï (Acoustical check with measurements)

 

4. ÃøÁ¤ ¹× Æò°¡ (Fine-tuning)

1. À½ÇâÃøÁ¤À» ÅëÇÑ À½Ç⼺´É ¸ñÇ¥ °ËÅä (Acoustical measurements and data analysis)

2. ½ÇÁ¦»óȲÀ» °¡Á¤ÇÑ °ËÅä (Testing of real-use situations)

3. Á¤¹Ð Æ©´× ¹× Å×½ºÆ® (Acoustical adjustments)

 

5. »ç¿ëÀÚ±³À° (User Orientation)

1. ½ºÅÂÇÁ ±³À° (Staff training sessions)

2. ÀμöÀΰ踦 À§ÇÑ ¼¼¹Ì³ª (Management seminars)

3. À¯Áö°ü¸®¸¦ À§ÇÑ ¸Å´º¾ó Á¦ÀÛ ¹× ±³À° (New technology feasibility studies)

 

½Ç³»À½Çâ ¼³°è °ø°£

  • Àü¹®°ø¿¬½Ã¼³: Äܼ­Æ®È¦, ¿ÀÆä¶ó±ØÀå, ¿µÈ­°ü, ½ºÆ©µð¿À

  • ¾÷¹«½Ã¼³: ȸÀǽÇ, °­´ç, °­ÀǽÇ

  • ´ÙÁßÁýȸ½Ã¼³: Å͹̳Î, ¿ª»ç, ¿¹½ÄÀå, À̺¥Æ®È¦, ÄÁÆÛ·±½ºÈ¦

  • Á¾±³½Ã¼³: ±³È¸

  • ½ºÆ÷Ã÷½Ã¼³: ½Ç³»Ã¼À°°ü, °æ±âÀå

  • À½ÇâÀü¹®½Ã¼³: ½ºÆ©µð¿À, ûÃë½Ç, À½Çâ½ÃÇè½Ç(ÀÜÇâ½Ç, ¹«Çâ½Ç)


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